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             REVIEWS 
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          ROCTOBER 
              MAGAZINE, Winter 2007 
              Under appreciated genius is a bittersweet tragedy! I love hearing 
              these late/Beatles/inspired troubadours do their thing, and I wish 
              more of you got to hear them. 
            HIROSHIMA 
              YEAH!, May 2007 
              This new release from Chicago singer-songwriter Dan Susnara (his 
              first self-produced CD—all previous albums were on cassette) kicks 
              off with JUST the sort of song that's GUARANTEED to get a good review 
              in HY!—an ADORABLE, country-fied, acoustic, running-away-from-everything-and-drinking 
              song called "Kiss 'n' Park"; which is instantly cherishable and 
              singalongable and even brings to mind GG Allin with the lines 'never 
              thinkin' 'bout tomorrow, always livin' for today, never makin' no 
              commitments, always runnin'. Next up is "Disgruntled Former Everything", 
              a blistering attack on corporate America (and especially that moron 
              Bush), and after that comes the swinging "Eurekahead" which has 
              some nice brassy keyboard parps. "Wait For Someone Who Saves" is 
              a lilting, lovely paen to a sad stranger in a bar and is the best 
              song here (possibly Susnara's best EVER). With great lines like 
              'we collect like the dust and the spiderwebs crowding corners and 
              eaves' and 'scared of my shadow's shadow', the greatest compliment 
              I can give this song is that I wish I'd written it myself. It's 
              a KILLER and (along with the first track) has been on 'repeat' here 
              a LOT. "Lennon" starts as a slow and sedate tribute to the great, 
              crushed Beatle before descending into White Album style chaos and 
              "While in Borneo" continues the theme by having weird, trippy lyrics 
              that don't appear to make any sense whatsoever. I like the stripped-down 
              tinklings and oddness of this track. "Principles That Endure" quickens 
              the pace somewhat with a bitter tale of anti-work angst ('fill my 
              days with commitments and trite, meaningless drivel') which should 
              raise a smile, if not a sigh, with anyone who's ever worked for 
              'the man'. "Shift Change" is a funny/sad story about suburban kids 
              and their teenage drug adventures while "Lost Every Day" updates 
              their story from an adult perspective, in a smoky, jazzy number 
              with some adventurous changes and instrumentation. The hilariously 
              titled "Lo-Rent Boy" is a bit of a tragi-rocker which treats us 
              to great lines like 'I do the weird stuff the other guys won't do' 
              before sadly concluding that 'it's better than sleepin' alone'. 
              "Resume" obliquely references a lost love affair and is sweetly 
              plaintive in a resigned kind of way. "Strap On a Guitar (And Save 
              the World)" intertwines the personal and the political in an epic, 
              slowly building ballad which, again, throws down some impressive 
              lyrics ('they'd gladly have us all attached dick-and-balls to computers/serving 
              kings, weak humbled trite/'lest we start to think and start to fight') 
              and ends on a note of defiant optimism. Brilliant. This would have 
              been a perfect end to the album, in fact, but there's one last song 
              and that song is "Done", a nightmarish tale of some mad bitch who's 
              'howling with visions in a place of remote decay'. It should also 
              be stated that this CD comes with a nice lyric booklet containing 
              colour photos of various desolate US locations. Check out the website 
              or, better still, send some dollars to Dan at 7806 S Kilpatrick, 
              Chicago, IL 60652, USA to get yourself a copy.—Mark Ritchie  |